Author: Nathanael Ankeny

How to Start Transcribing

Staff Paper

I remember trying to play along with recordings in high school (I fell in love with the melody to Desafinado and tried to figure it out), but it wasn’t until I got into college that I set out to methodically transcribe parts of solos or entire solos. The pause and rewind buttons were my best friends. In fact, the printing on the pause and rewind buttons of the boombox I schlepped to the practice room each day are mostly worn off from use!

For my students, I recommend the following process to begin transcribing a solo:

  • Listen to the solo many times to become familiar with it. You will eventually be able to sing or hum the solo even without the recording.
  • Begin by just trying to hear the first note. Hit the pause button right after the first note is played, such that you can still hear it ringing in your tonal imagination
  • Try singing the first note. Once you can accurately sing the note, you’ve got it made; keep singing the note and try to find it on your instrument.

Repeat the process to get the second note, the third note, etc. You may find that you are soon able to hear several notes or whole phrases at a time. Stick with it; like most things worth doing in life, it takes time and practice to gain skill.

John Coltrane on I Hear A Rhapsody

John Coltrane - Lush Life.jpg
John Coltrane – Lush Life. Licensed under Fair use via Wikipedia

From: Lush Life (Red Garland, piano; Paul Chambers, bass; Al Heath, drums)

This cut of I Hear a Rhapsody is from Lush Life, one of Coltrane’s earliest albums as a bandleader. He recorded it in late 1957 and early 1958.

There are plenty  of things to analyze melodically and harmonically in what he plays, but it’s just as valuable to look at what he doesn’t play. Like all great improvisors, Coltrane uses space. When you listen closely to this and other solos, you can hear his intense, clear ideas punctuated by rest. 
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